BARCELONA 1992 In 1992, the Barcelona Games artistic interpretation of a man on went a stage further by creating skis in a 4,000-year-old rock carving pictograms re昀氀ecting the visual discovered in Tro in northern Norway. LILLEHAMMER 1994 identity and emblem of the Games: based on the brush painting In 2004, it was the turn of Athens technique, each pictogram to make a direct reference to its resembled the lines heritage in its pictograms, which of a brush stroke. recalled the Ancient Olympic Games. The same was true of the Sydney Then, in 1994, at the Lillehammer Games in 2000, when the pictograms Games in Norway, the pictograms were centred on the boomerang, told a story for the 昀椀rst time. The one of Australia’s national cultural host country paid homage to its symbols. ATHENS 2004 culture and heritage through an 66 CHAP. 3 – 62 PICTOGRAMS, 62 BADGES OF HONOUR 32