Impromptu: Amplifying Our Humanity Through AI poses, or infringe on the rights of others. You also have to acknowledge that the tool may generate inaccurate, offensive, or inappropriate content, and that you are solely liable for any consequences of using or relying on it. You also have to give credit to OpenAI and the GPT tool when you use its output publicly. So, as long as you follow these terms and respect the copyright and privacy of others, you can use the GPT tool to spark your imagination and create your own stories. But don’t forget: the tool is not a substitute for your own creativity, skill, and judgment. You still have to write your own screenplay, polish it, sell it, and hope that it becomes a hit. And if it does, you can enjoy the fruits of your labor without worrying about OpenAI knocking on your door. That’s, legitimately, good news. But what about the flip side of artists using GPT-4—what about when GPT-4 uses artists? What happens when an LLM or image generator like Dall-E incorporates artists’ online IP into its learning, perhaps without the artist’s explicit permission? As the New York Times reported in February: “Artists are afraid of posting new art,” the computer science professor Ben Zhao said. Putting art online is how many artists advertise their services but now they have a “fear of feeding this monster that becomes more and more like them,” Professor Zhao said. “It shuts down their business model.” This strikes me as a reasonable concern, and Professor Zhao’s solution—Glaze, a tool for artists to digitally “mask” their images—seems a reasonable, and creative, response. Glaze changes an image at a pixel level that the human eye can’t 62