Index 400 electric process, 2, 4, 94, 149ff., 171, 264 electric typewriter, 278, 279, 280, 289 Eliade, Mircea, 146, 325–26 Eliot, T.S., 7, 63, 76, 178, 179, 265, 284, 306, 344, 352, 357, 363, 382 “auditory imagination,” 213 Ellul, Jacques, 220, 222, 349, 372–73 environments, 219–32 epic poetry, 97 Erasmus, 313, 314, 318 Escher, M.C., 216 Farb, Peter, 82 Faulkner, William, 199 feedback and feedforward, 77 Fenichel, Otto, 192 Fielding, Henry, 63 Tom Jones, 32, 324 “figure” and “ground,” 85–86, 368 Fisher, H.A.L., 122 Flaubert, Gustav, 63, 67, 193, 194, 224, 228 Fletcher, Phineas, 68 Ford, Henry, 76–78 Forster, E.M., 157 Frankenstein fantasies, 27 Frazer, Sir James, 85, 304–5 Freud, Sigmund, 234, 237, 322 Frye, Northrop, 3, 324, 332–33 Fuller, R.Buckminster, 2, 214, 232 Gainesborough, Thomas, 64 Gestalts, 241, 250, 385 hieroglyph as, 130 pictograph ideogram and hieroglyph as, 141 Giedion, Siegfried, 54, 75, 76, 139 Gilot, Françoise and Carlton Lake, Life with Picasso, 345 Gilson, Etienne, 2, 145 Giovanelli, Felix, 23 Goethe, Wolfgang, 334 Goldsmith, Oliver, 82 Gombrich, E.H., 111, 145, 147–48, 155, 340 Goodman, Paul, 222 Gould, Glenn, 2, 168, 345–46 Graves, Robert, 319 Griffith, D.W., 64, 202 Hall, Edward T., 1, 9, 100–1, 342, 374–75 Hall, Stuart and Paddy Whannel, The Popular Arts, 354–56 Harrington, Michael, 338 Hart, James W., 199 Hass, Hans, 375 Havelock, Eric A., 2, 76, 90, 92, 221, 314